"The basic formal characteristic of the composition in this project is Sonorism - sound-musical structures that develop in four phases of serial repetition (serialism). The musical idea of the author is visual but not allegorical. The natural chaos of natural sounds (atonal sounds) are overwritten again and again with the sounds of human emotion, human tendencies of creation and destruction (tonal structures). On top of the natural sounds are digitally added modulated consonances, which are transformed into tonal structures. Those tonal structures became the musical basis for the third layering of the composition, human instruments came in the form of modulated mellotron, slide guitar (lap steel guitar), sung falsettos, and piano. The aforementioned triple layering forms an organic whole, as if to create a single monumental fluid entity that sometimes wants to triumph over itself in its pristine nature, and at other times seems to collapse in its destructive drama, and within it, discovers a longing for the sacred.

The composition is pieced together from four stages - sometimes it is fragile and unstable, at other times its harmonic foundations assimilate inexorably into cacophonous structures of ominous sounds of animals fighting for their lives from the rainforest and the sounds of bombers. F. Nietzsche refers to a certain human condition as "Uberstopfung" , it is a state when one no longer looks at oneself in the mirror, but lives in longing for one's own spiritual realisation.

The role of music, according to this, is not to express something, but to summon up spiritual/natural forces. Music is not meant to be an allegorical storyteller, it does not describe a condition but tends to create it, to summon it through sonic situations of power, images, and signs. It can be as destructive as it can be love-sounding. Just as birdsong, speaks of nothing other than the birdsong itself, just as a garden is nothing other than its own stillness, just as a tree is nothing other than its own vegetation, just as a flower is an extension and wilting of the heavens. Nor is music anything other than a world that is full of successive cycles of creation and extinction.”

By composer Lászlo Pálmai